Music—writing songs that resonate with people, observing snapshots in time, and reconciling emotions in one’s head—can be cathartic and somewhat serious business. Out of a conversation with Hembree singer/guitarist/songwriter Isaac Flynn, you get very little of that. The guy is just really nice. He says early in the conversation that they “want to make fun music.” New Oasis, Hembree’s eagerly awaited debut EP, does just that. In spades.
From the ashes of Lawrence/KC group Quiet Corral rose Hembree. This quintet—the remainder of the QC members after vocalist/guitarist Jesse Roberts departed—took stock of its situation and instead of going their separate ways, they seized—as Flynn tells it, the “opportunity to create something totally different.” Take a liberal dose of supremely fresh Americana and add to it a couple scoops of vintage keyboards and beats and you’re beginning to get the idea.
New Oasis is, from front to back, a journey of gritty and honest vocals, dreamy and ethereal harmonies, beautifully constructed guitar layers, a near perfect rhythm section, and killer keyboards that provide a yin to the roots rock yang. The lyrics come from the heart as well; all drawn from, as Flynn asserts, “my life experience and those close to me.” He fills pages, his mobile phone memo app, and has even inundated the memory in his car’s onboard voice memo storage with lyrics he sings aloud to remember tune ideas that randomly pop into his head.
“It’s like an ‘80s band decided to become an Americana band but forgot to tell the keyboard player,” he explains. Well said.
The feel of New Oasis is poppy but real. Many of Hembree’s musical influences such as Tom Petty, Hall & Oates, and Tears For Fears can be heard, but with a definite modern freshness. Hembree has taken these filters and molded them into a remarkably cohesive sound that literally anyone could listen to and find a slice that inspires them and leaves them wanting more.
The opener, “Whistler,” is a longing introduction that sucks you in with an Alan Parsons-ish vibe and is followed by the hopeful title track, which seems to spell out the bright outlook of this group that—in spite of their losses—sees only promise for the future. “Subtle Step” is a downright infectious number (I’ve had it in my head for literally days) that would be perfectly placed on the soundtrack for Real Genius or Weird Science. “October” is that perfect, lovely mixture of the Americana/synth compound: Equal parts Tom Petty, a wide-open Midwestern twang, and OMD. “Walk Alone” is a modern and somewhat lonely song that belies its outwardly upbeat meter. The hooky and interplaying vocals, dynamics, and immaculate guitar riffs make this one as strong as any cut from the record. “Six Years” closes it out with greater guitar fuzz and an earnest entreat: Meet me on the other side / Where there’s time to learn this life.
New Oasis has focus, it has balance, and it has integrity. My only complaint about the record is that it’s too short. As to Hembree’s goal of making “fun music”? Check that one off the bucket list, guys.
Jim Barnes: Drums, vocals
Garrett Childers: Guitar, vocals
Eric Davis: keys
Isaac Flynn: Guitar, vocals
Matt Green: Bass
Jeff Stalnaker plays in a local band and can open a beer bottle with his wedding ring.
The Deli Magazine was born in NYC's Attorney Street in 2004, in the shape of a print issue with a then unknown band on its cover, called Grizzly Bear. Ths NYC blog came in 2005, then the SF one in 2006, and then 9 more in the following years. The Deli is focused on the coverage of emerging bands and solo artists with a 100% local focus - no exceptions!