Brother Toaster, a new solo project by Boston local, Sean Galbraith, brings a new appreciation for music that is genuine. Zen Riddles, his June 2017 album release is exactly that. While it is in some ways classic guitar pop in its catchy melodies, garage-y rhythms, and a wandering, psych influence, it is not intense in any of these characteristics. The music sits somewhat quietly behind the vocals, showing a clear presentation of lyrics. In this subtle decision, Brother Toaster shows a pride in lyricism and personal creation similar to singer-songwriter stylings. Still, it remains a fun guitar project, only enhanced by Galbraith's pride in his own work. See the band live at The Great Scott July 18th. -Allie Miller

 Somewhere between the minimalism of Vulfpeck and the virtuosity of Snarky Puppy lies Boston-based funk ensemble STIG.  Adding their own flavor to the funk revival scene, STIG keeps it smooth and sexy, interesting without ever overstaying their welcome.  The band is currently on the back end of their Summer tour (hitting Sea Dog Brewing Co in Bangor, ME on 7/20), promoting their upcoming EP, Downtown Tom.  Check out the video for the title track below.  -Brian Varneke

We doubt if there is a town with more gripes than Boston. That seems to be the reason for the abundance of pissed-off garage rock bands like Allston's newest stars: Beeef. Since the release of their sarcastic 2017 release A Beeef CD, they received high praise from their own music scene, and celebrated local publications like Allston Pudding and Boston Hassle. That being said, we believe they are deserving of the attention, with charismatic, surfy guitars and jaunty rhythms. A Beeef CD is angsty, wronged, and heartbroken, but in all the right ways. This release shows a band that has found its place among its surrounding punks, and we hope they stay there. See them at Great Scott with Ian Sweet and Baby! on August 17th. -Allie Miller

 Boston alt-rockers Black Helicopter are back with a 4-song EP full of their patented melodic, melancholic fuzz.  Invoking the best of bands like Weezer and Smashing Pumpkins, Everything is Forever is an impressive showcase of the bands eclectic talent.  Opening track "And I>Drive at Night" has a gritty, aggressive, yet understated character personified by vocalist Tim Shea's brooding narrative.  That mood persists and develops through the album, giving the EP a feeling of completion, while leaving the listener wanting more. -Brian Varneke

Recently relocated from Boston to Nashville, six-piece TWEN creates music that is an effortlessly cool blend of garage, psych, and slacker rock. On their live, self-titled album, Jane Fitzsimmons’ surfy voice drones over thrashing guitars, giving the effect of a punchier version of Best Coast. Her shoegaze-inspired vocals are what add the psychedelic twist to the grungy arrangements in songs like “Long Time” (streaming below) where reverb takes centerstage. Their sound is so defined in this EP that it’s difficult to believe it was recorded live—but they will be bringing their exceptional live show to The East Room on July 19th. - Lilly Milman