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Electronic





Electronic

Time: 
19:00
Band name: 
FELIX III
FULL Artist Facebook address (http://...): 
http://www.instagram.com/ohfelixiii
Venue name: 
The Sultan Room
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Groupthink "Guilty Pleasure"

Groupthink released visuals for his latest single "Guilty Pleasure" this week. This comes just five days after releasing the single and a steaming Joseph Morrison directed lyric video.

This single is huge leap forward for the musician that began working on this track three years ago. At the time he had very little, but is now on the verge of something huge.

 

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Forest Management "Palm Life"

Forest Management has released the first single, "One After Another", from his forthcoming fifth full-length album, Palm Life, which is due out April 22nd.

This is the experimental drone music of John Daniel, and this album marks his return to the use of tape as a source of texture and composition.

You can catch Forest Management on May 1st at Garfield Park Conservatory with Elton Aura and Lala Lala.

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Bow before MOTHERMARY's debut LP "I Am Your God"

Repping NYC at SXSW this coming Wednesday...

I’m not sure which benign deity brought the twin-sister dark electronica duo known as MOTHERMARY into our plane of existence (Lilith? Kali? Ishtar? Cher? Dolly?) but we owe them a debt of gratitude because not since the heyday of Prince and Madonna have there been two such solid proponents for eroticizing religious dogma which is great for Christianity in particular with its central conceit of “original sin” where being tempted to enjoy a piece of deciduous by a sexy wifey made from your own rib is grounds for the eternal damnation of humankind not to mention eternal shame at our own nakedness. 

And then it doesn’t help matters when a few millennia later these same humans somehow managed to murder God’s only son in a particularly gruesome fashion and all this is without doubt deeply guilt-inducing and deeply unsexy. Or is it?

MOTHERMARY offer strong evidence to the contrary on their debut full-length I Am Your God released in late January and they know what they’re talking about because Elyse Winn and Larena Winn were raised in a devout Mormon household in Missoula, Montana (where a deep love for music was self-reportedly instilled alongside the Mormonism) and both attended BYU before moving to Salt Lake City and eventually NYC (first Elyse and later Larena) and recording their debut single “Catch Fire” which caught the attention of their friend Alex Frankel who’s also one-half of synthpop duo Holy Ghost! (how appropriate!) who passed it along to Megan Louise at Italians Do It Better which is basically the go-to label for cooly restrained yet highly and sublimely dramatic electro music—kind of like Italo-disco on steroids and tranquilizers at the same time—a perfect fit for the duo and their own melding of kewl and hawt, sinful and angelic.

And speaking of hotness “Catch Fire” is smoking hot—all swelling organs and throbbing bass and pulsating rhythms accompanied by Johnny Jewel-style synth-tom fills (RIP Chromatics and the fabled Dear Tommy LP) with lyrics from the POV of the sneaky snake in the Garden of Eden (see the truth when / it’s in the nude / taste the fruit / put the blame on me) and geez if Tipper Gore ever heard this song she’d likely have an aneurysm on the spot nevermind if she saw the music video we’re talking heart attack (brief synopsis: Bible study group/faith healing ceremony transforms into a polymorphously perverse strip club complete with crucifix tossing and leather-studded-slow-motion gyrating by Elyse and Larena).

But it’s not all “hotness for hotness’s sake” as MOTHERMARY point out I Am Your God “isn’t about a god complex, it is an invitation to ponder what you worship. It’s about women reclaiming their holiness and inviting you to acknowledge your own…it is a mirror to religion both reflecting the bad and salvaging the good” with the very name MOTHERMARY being “the ultimate symbol of religi[ous] hypocrisy & the insane expectations placed on women…These two extremes. Have children to procreate, but don’t be sexual beings.” The Madonna/Whore complex is an impossible needle to thread for sure but on the album’s most recent single and music video (title track “I Am Your God”) the Winn twins come pretty darn close with a song that floats by on ethereal clouds of airy heavenly electronic oscillations, but it's equally voluptuous and lusty (and a bit creepy with that pitch-shifted vocal) with the repeated line “I can come again” straddling the same line between holy and horny.

I guess guilt is complicated that way when you think about it—it’s an age-old tool for subjugation (especially used against women natch) but keeping people form what they want and need only builds desire upon desire and before long they’re developing some pretty elaborate fantasies and fetishes to redirect some of that energy not to mention making cool art and beautiful music to express their frustrations and longing not to mention how it makes being bad feel so good so guilt is a volatile thing to say the least. 

But enough of this music blogger’s theological thoughts! In closing it should be mentioned that some of I Am Your God was created together with compatriot/co-producer Chris McLaughlin with whom Elyse Winn likewise collaborates on the Cigar Cigarette project fronted by Chris where she takes on the role of co-composer, art director and music video director, and by the way MOTHERMARY direct or at least co-direct all their own music videos which makes sense given their backgrounds in art and theater alongside music plus “sacrilegious spectacle” of course and if the “Pray” video below doesn’t deliberately riff on Garbage’s glorious video for “Queer” I’ll eat my hat!



And so let’s pray all these beneficent forces keep working together and spawning more (un)holy ravishing music because the world really needs it and I’d even be willing to try and guilt them into it. (Jason Lee)





Softmax "But What If There Isn't?"

Producer and Multi-Instrumentalist Softmax has released her debut EP "But What If There Isn't?". This is a multimedia project filled densely emotional lyrics and profoundly minimal electronic pop soundscapes.

You can experience the full fifteen minute project here or stream/purchase the EP below.

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