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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Electronic





Birch’s politically aware pop takes the stage at Baby’s All Right on 1.27

“You bought yourself a gun, you think it makes you safer / And stop telling me what to do with my body, it’s my fucking body” Michelle Birsky sings on Birch’s synth-pop slow dancer “Pick Sides.” It can be difficult to confront large societal issues while maintaining the accessibility of pop music, but Birch pulls it off with tact, tucking the personal effects of political and social divisions into buoyant pop filled with sweeping synths and hip-hop inspired beats. Perhaps the duo’s music is all the more reletable because it acknowledges how these issues seep into our ordinary lives. Birch’s next performance will be at Baby’s All Right on January 27th opening for Cape Francis. – Cameron Carr

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Debut Prom Acid Album Available for Streaming & Download

The duo of Prom Acid just released their debut album. Holy Moldy twists creepy noise-engulfing trance, in a chaotic heady kaleidoscope. Fuzzy, synth-induced grooves and heavier guitar-anchored tracks mingle together, warping the mind. Continuously shifting the ground below one’s feet, a leapfrogging level of experimentation radiates.





Following a debut release, Joanna Teters to play Middle East Upstairs

There was a point in time when singer Joanna Teters, the now-New Yorker, was a resident of the Jamaica Plain neighborhood in Boston. While studying at Berklee College of Music, Teters became a familiar and friendly face in the Boston music scene as the smokey, soulful singer for several groups including Lowtone Society and Ila Mawana. Now, with the release of her excellent solo debut Warmer When It Rains, Teters has shared Winter tour dates throughout the East Coast, which includes The Middle East Upstairs on February 1st.

Warmer When It Rains is a collection of masterfully produced pop/neo-soul songs influenced by 90s pop/RnB, island and reggae music, and jilted hip-hop beats, lead exclusively by Teters’ smoothly crafted melodies. Rains is an exercise in writing about love within pop songs, an artform in itself that produces either everlasting, or fatefully unforgettable music; fortunately for us, Teters has delivered a lasting and engaging debut, both musically and emotionally. Stream her new album below, and be sure to check the Warmer When It Rains Tour schedule to see Joanna in a city near you. -Charley Ruddell

 





Feel the “Flow” of Nat Reed’s new single

Pop/RnB singer/songwriter Nat Reed has released “Flow”, a starkly honest follow up single to last November’s “Selfish”. Born from Reed’s own struggles with anxiety, “Flow” is a sincere submission to self-doubt and turbulence within the confines of love. Following suit to contemporary pop/soul acts AlunaGeorge and Alessia Cara, the music of “Flow” is a crisply produced cruise built heavily on textural layers of Reed’s vulnerable voice, a stylistic idiosyncrasy of the singer’s signature electronically organic music. Stream “Flow” below. -Charley Ruddell  

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The 7 Best Electronic Records of 2017 by Emerging NYC Artists

With an appreciation for the jubilance of pop music and the willingness to explore new sounds that NYC is known for, in 2014 the city’s electronic musicians created music that could soundtrack all-night dance parties or pensive nights alone. Beshken captured that contrast best on For Time Is The Longest Distance Between Two People. The album migrates between spacious, simmering instrumental sections and buoyant, pulsing rave-ups. Overcoats played more heavily on thumping, dance-floor anthems with their debut album YOUNG, but lyrically the duo looked further than the party scene. Overcoats’ portrait of inner emotional struggles rivals the tact of many veteran pop songwriters. The electronic genre also took influence from the indie rock world. Guerilla Toss, featured on our cover this past fall, released GT Ultra, a mish-mash of post-punk, psychedelia, and electronica that’s near impossible to accurately categorize. Covering stuttering electronica in a dream pop-inspired haze, Blood CulturesHappy Birthday balanced the danceable with the moody. Perhaps not quite fitting into the electronic realm, Sneaks made a post-punky sophomore album using almost only a drum machine, bass guitar, and vocals to craft the expertly concise and individual It’s a Myth. To be fair, that album came out before Sneak’s Eva Moolchan moved to NYC, but since the band’s relocation we’ve proudly embraced them as our own. Belonging to the Electronic realm are also two NYC records we recently blogged about: Torres' dark and mysterious Three Futures and Standing on the Corner's avant-hip hop masterpiece, and recent Deli NYC Record of the Month, Red Burns. - Cameron Carr

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