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Drowned in Sound: Real Estate - Atlas
Drowned in Sound: Baths - Obsidian


January 2014
Shy Boys
"Shy Boys
"
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Shy Boys continue to bridge the gap between the basement and the stage with the release of their debut, self-titled LP. With efficiency and restrained flourish the boys have spun off 10 pop yarns, many of which are apt to linger long past their modest 24-minute duration. While the bulk of the earworms are front-loaded the album doesn’t flag nor does it deviate in its trajectory. The consistency of this record demonstrates that the Shy Boys know their strengths and are not ashamed to stick with them.
 
Such reliability is probably why Shy Boyscomposed of the brothers Collin and Kyle Rausch and friend Konnor Ervin, have enjoyed a recent burst in popularity. In short order they’ve managed to endear themselves to a variety of local bands and fans, the label High Dive Records, and assorted music journalism outlets. It’s no wonder they recently won The Pitch award for Best Band Everyone Can Agree OnThey’re appeal is almost egalitarian. Of course it doesn’t hurt to be backed by Solid Gold, the same talent agency that promotes the likes of Dirty Beaches, The Dodos, and The Sea And Cake.
 
Call it playing it safe, but what Shy Boys lack in boundary-pushing they make up for in general likeability. This record can easily play in the background, comfortably command the car stereo, or be the gentle panacea for your private boi slash gurl bedroom troubles; odds are the record will fit most settings without much abrasion. That’s the idea. Kudos given.
 
Much of the album’s warm roughness is owed to its simple and straightforward nature as well as the inherent qualities found by recording live to tape. For this engineering feat the nod is given to Mike Nolte of Westend Recording, a studio known for their dedicated use of the mediumSure, the reverb is cranked and the vocals can be muddied into ambiguity, but those cool, moody hooks are enough to keep the record spinning on repeat.
 
--Andrew Erdrich

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Album review: Akkilles - Something You'd Say

Album review: Akkilles - Something You'd Say

 
(Photo by Mollie Hull, Seen Imagery)
 
As one who has been a self-professed music junkie for pretty much my entire life, I’m constantly in awe of those who go onstage, no matter how large the stage or the venue or the crowd, and make music. As one who doesn’t possess a lot of musical talent, the chances of me experiencing that feeling are pretty slim, but that doesn’t stop me from thinking about the art in its various forms. When a solo artist writes music, and when it’s the kind of music that requires more than just the one musician to be performed live, does he/she worry about finding the right people to bring that music to life, or are the songs written because they simply have to be written, and there’s an intrinsic faith that they will eventually be heard as the author hears them? In the case of David Bennett, the man behind the loosely-knit group Akkilles, it seems to be mostly the latter.
 
When asked about the process involved in creating Akkilles’ first full-length album, Something You’d Say, Bennett speaks of having a clear vision to go with his musical voice, and he also was able to assemble a supporting cast of accomplished musicians that he respected and was fully comfortable with, even though they had never actually played together before. Additionally, the making of Something You’d Say involved having all five players in a recording studio (Nick Pick, Rachel Pollock, Jeff Larison, Isaac Anderson, and Mike Crawford, who also engineered the recording), as opposed to his first effort, Demo Treasures—recorded at Bennett’s home, and on which he was the sole musician and vocalist.
 
A bit about Demo Treasures: released in April of 2013, this five-track EP serves as a natural lead-in to the full-length recording. It contains a very Freelance Whales vibe at times, but there are instances when Bennett takes more risks with the music—as if he’s experimenting with his own potential, trying to test the boundaries of his work, perhaps seeing the bigger picture of the future ten-track album. It would be a wise investment to listen to this as a primer; it would also be a low-cost investment, as Akkilles is only asking for a couple bucks for the download on their Bandcamp page. (psst … there’s no rule against paying a little more, either. Any band worth supporting—not just Akkilles, but any and every band—is a band worth kicking in a buck a song for an EP purchase. Just sayin’.)
 
Listening to “Your Only One,” the opening track of Something You’d Say,put me in mind of being in a kicked-back state at the end of the work week, sitting on the beach, cold beverage in hand (make mine a cider, please), and watching the sun go down over the ocean. “She’s My Girl” offers nine-plus minutes of more gently trippy sounds, and the deeper you explore the album, the deeper your state of relaxation will be. Getting into the swirling psychedelia of the third track, “Country Boy Deluxe,” I started hearing a few more subtle resemblances and possible influences: a touch of yacht rock, maybe a little Minden, and (for me, anyway) the pensive reflection of Beck’s Sea Change album. Bennett masterfully tells his stories at their own pace, without the need of studio-born tricks or gimmicks to keep the listener’s attention. It’s also very clear that his band of musical hired guns is in complete lockstep with him, and the result is a seamlessly pure and effortless 51-minute mental massage.
 
Akkilles is not without its sneaky side, though: “Chic City” presents the listener with a relatively alt-country song as compared to the rest of Something. If the Flaming Lips had decided to bring Wilco into the recording studio … and, perhaps, maybe, oh, I don’t know, enjoyed a puff or two of some agricultural mood-enhancing materials, just speculating here … this might have been the result. It’s the closest to a “road song” that the album comes to—but it’s still a relaxed road even so.
 
Something You’d Say is more than the sum of its parts, as any worthwhile collaboration aspires to be. For those of us who look forward to summer every year only for the purpose of finding that special “summer song” or “summer album,” you can’t go wrong with making this your choice for 2013.
 
Of the roster of musicians that make up Akkilles, Bennett says this: “My current band is more of a collective than anything else. Everyone would be making music with or without me, but we all knew each other and they really wanted to be a part of what I was doing, and I love getting to work with such talented people. It's a pretty dynamic group.” If you have the opportunity to see this group as they support the new album, be ready to have your mind bathed in the serenity of gentle ambience and warm, finely-tuned summer pop.
 
At least, that’s something I’d say.
 


 
Join Akkilles with special guests Roo & The Howl (Colorado) and La Guerre at recordBar on Thursday, August 29. It’s an 18+ show, $7 cover. Facebook event page. 
--Michael Byars
 

Michael Byars has an infatuation with cider, which we all think comes from his internal Britishness, but he works cheap and spells most of his words correctly, so we let him hang around. And Michelle still likes to punch him every once in a while. Executive privilege and all that, jolly good, pip pip, cheerio.

 

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