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Artist of the Month
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July 2014
Cadillac Flambe
"Old American Law
"
mp3

Some bands have the ability to create music that reaches into a chasm of sorrow and affliction, exposing the deepest of wounds. With its latest release Old American LawCadillac Flambe boasts nine heavily weighted tracks that escort the listener through calamitous musical compositions, and tragic tales told by the mesmerizing vocals of husband and wife Kris and Havilah Bruders.

 
Since its previous release, Eli’s Porch, Cadillac Flambe has had to adjust its sound. The band’s harmonica player James “Pappy” Garrett, who was an integral component to its dark Americana blues approach, died in a car accident during the making of the 2011 EP. Shrinking down to a four-piece, the band has shifted in a decidedly more rock ‘n roll direction, still retaining its rootsy nature but packing a more substantial punch.
 
Ushered in by Kris Bruders’ signature gritty blues guitar sound, “Shakin’ Baby” sets the album in motion, highlighted additionally by Michael Payne’s massive but calculated drum work and Dave Duly’s perfectly in-the-pocket bass playing. On this album, Payne and Duly add a collective rhythmic wallop unheard in previous recordings, pervading the tunes with a rock and R&B heartbeat.
 
After the first track, you’re likely in for the ride, which allows Cadillac Flambe to pull you in to its turbulent descent.
 
This emotional tailspin careens to its greatest depths in “3 Bullets,” the album’s longest and most powerful track—one split into two distinct acts. In Act I, Havilah Bruders tells the story of a desperate mother trying to feed her child, reaching out to the church, the government, and the bank, and is turned away by each. Act II arrives in the middle of the song, which slows from a steady 4/4 to a haunting 6/8 groove, as she discloses the news of her child’s death. A chilling anguish is felt as Bruders’ voice rages, a deliriousness is experienced as she transitions from a quiet whimper to a grief-stricken roar, also revealing the song's final crux: the woman has murdered the three entities that indirectly caused her child's death. Her soul and gospel background is most noticeable here, as she carries us through each scene and makes us feel her misery and despair, measure by measure. It’s also apparent in “Sweet Chariot,” where she takes us through a woman’s frenzied fear of impending death, into her answered prayers of serenity and light.
 
Most of the songs on Old American Law were penned by Kris Bruders, whose own vocals have a mystic, commanding, but sincere quality to them. Take “Father to Son” for instance, a narrative about a father’s beliefs and pressures onto his son. Bruders’ vocal delivery at once contains the father’s threatening tone and the son’s subsequent harsh, casual defiance. In the album’s title track, his voice characterizes the overall personality of the album. His words and the dusty Delta blues sound of his hollow-body custom magnesium guitar convey the voice of an uncompromising outlaw. Bruders’ authoritative, booming vocals—often coupled with his wife’s harmonies, sometimes impassioned, sometimes a simple adornment to his own—and the unique gravel of his guitar dig into the meat of each song.
 
Plenty of bands write songs about death, family strife, social issues, and religious conviction, yet few are able to execute it as effectively as Cadillac Flambe does in Old American Law. The throttle of the rhythm section, the bedraggled, melancholy guitar tones, the dissonant piano chords, and the soulful vocals push the message of each song to the forefront. The LP, which was tracked, mixed, and mastered at Little Class Records by Keegan Smith, is the strongest manifestation of anything the band has released to date. 
 
--Michelle Bacon

 

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Artists on Trial: Red Velvet Crush

Artists on Trial: Red Velvet Crush

 
If you seek hooky, strong rock anthems, look no further than KC’s own Red Velvet Crush. Fronted by veteran vocalist Jillian Riscoe, the young band has already received recognition around town (Riscoe won female vocalist of the year and the group won best acoustic performance of the year in the 2013 Project Backstage Midwest Rock Awards). Now, the five-piece group is getting ready to debut its EP Smoke & Mirrors. We talk with Riscoe and guitarist Daniel Mendala about the album and what they have coming down the line.
 
The Deli: Down and dirty: 1 sentence to describe your music. What is it?

Red Velvet Crush: Pop/rock with hints of punk, dance, electronic and hard rock mixed with what we do.
 
The Deli: Tell us about your upcoming EP Smoke & Mirrors. What can we expect?
 
RVC: Chapters of what we've been writing over the last year while putting the band together. We (Riscoe and Mendala) wrote and recorded the whole EP at yellowDOGstudios in Austin, TX with producer Dave Percefull and studio drummer Josh Center. Smoke and Mirrors is the just the first of what's to come.
 
The Deli: What does supporting local music mean to you?

RVC: Creating genuine support and networks of music loving people. Going out to shows and supporting bands that are working to get to the next level.
 
The Deli: Who are your favorite local musicians right now?

RVC: Nick Marshall and the Evalyn Awake crew, Beautiful Bodies, Rocker Lips, Jonathan Theobald, just to name a few.
 
The Deli: Who are your favorite not-so-local musicians right now?
 
RVC: Jillian: In This Moment, Deftones, Lana del Rey.
Daniel: Eskimo Callboy, Young Guns, Our Lady Peace.
 
The Deli: What is your ultimate fantasy concert bill to play on?

RVC: Jillian: Christina Aguilera.
Daniel: Our Lady Peace.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
RVC: Jillian: Christina Aguilera, Axl Rose, Steven Tyler, Katy Perry.
Daniel: Axl Rose, Raine Maida, Duff McKagan and Lisa Loeb.

The Deli: All right, give us the rundown. Where all on this big crazy web can you be found?
 
 
The Deli: What other goals does Red Velvet Crush have for this year?
 
RVC: To promote Smoke and Mirrors, finish building our stage show, tour in the fall, and step back in the studio at the end of the year. Plus, Daniel and I are doing a lot of writing for Red Velvet Crush and for other artists.

The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?

RVC: Dreams to realities.
 
Red Velvet Crush is:
Jillian Riscoe – vocals, guitar, keys
Daniel Mendala – guitar
Kelsey Cook – drums/percussion
Josh Colburn – keys, synth, guitar
Bill Wald – bass
 
 
Make sure you hit up the release of Smoke & Mirrors this Saturday, June 15, at Czar. Doors at 5:30, show at 6:00. Red Velvet Crush will be playing with I Am Nation, Fight The Quiet (Nashville), The Amends (Colorado), and Root & Stem. Presale tickets are $5 for general admission and $10 at the door. You can also order a $15 presale ticket, which comes with a limited edition autographed copy of the new EP and a vinyl sticker. Order tickets here. Facebook event page.
 
--Michelle Bacon
 
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