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September 2014
Katy Guillen & the Girls
"Katy Guillen & the Girls
"
mp3
Normally when I discover a band for the first time, I listen to their album first, then go see them live. In the case of Katy Guillen & The Girls’ new release, the situation's been reversed. I saw them live a couple of times before the album was released, so I was interested to hear if the record was going to capture the ferocity of their live performances. I have to confess that my hearing is not in the best of shape, and, due to a poor sound mix at what shall be an unnamed Lawrence venue, I never got to hear the words or even the melodies properly live at the most recent concert I attended. But upon hearing the self-titled LP, it’s nice to hear that Guillen can write literate lyrics to these songs I've heard played out.
 
The album opener, "Don't Get Bitter," hearkens back to the sound and feel of the Beatles' "Taxman," with Claire Adams' bass introducing the song. It's short, catchy, and lasts exactly as long as it should. If there were a single release off this album, this would be it.
 
This record is no-frills. It's the band pretty much as you hear them live, with the mix capturing a live in-studio sound. What strikes me listening to this record is that Katy and the Girls are not strictly a blues band. There's certainly an infusion of the blues in what they do, but, to my ears, they hearken back to some of the late ‘60s-early ‘70s hard rock bands like Mountain and Free, but with better lyrics and songs. I also hear some White Stripes in there somewhere. The melodies and harmonies are accentuated and they help blend with the powerful playing.
 
Katy Guillen, Claire Adams, and Stephanie Williams fill up a lot of space in these songs. It's obvious they are all very well in sync and have that great intuitive blend that comes from playing lots of live gigs together. I also like the changes in some of the songs, which go in directions you don't expect, like "Woke Up In Spain," which switches tempo adroitly.
 
The absolute masterpiece of this album is the last song, “Earth Angel.” It's the longest tune on the album, but it doesn't feel long. It starts out with Guillen’s dirty-sounding guitar intro, reminiscent of Jimi Hendrix's "Little Wing," and builds in intensity as it moves along. Guillen takes one hell of a solo during this song. It's obvious from hearing this record that she is an excellent guitarist but never overplays during the songs. But when the song calls for a lengthy solo, like "Earth Angel," sparks fly. The rest of the band is equally as adept. Adams’ bass lines are nimble and fit right in place with Williams’ active drum work. It's a pleasure to hear a band that obviously loves to play together rolling through these songs. The album’s producer (Duane Trower at Weights & Measures Soundlab) captures the clarity of the music as well as the power of a live performance.
 

--Barry Lee

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Artists on Trial: Red Velvet Crush

Artists on Trial: Red Velvet Crush

 
If you seek hooky, strong rock anthems, look no further than KC’s own Red Velvet Crush. Fronted by veteran vocalist Jillian Riscoe, the young band has already received recognition around town (Riscoe won female vocalist of the year and the group won best acoustic performance of the year in the 2013 Project Backstage Midwest Rock Awards). Now, the five-piece group is getting ready to debut its EP Smoke & Mirrors. We talk with Riscoe and guitarist Daniel Mendala about the album and what they have coming down the line.
 
The Deli: Down and dirty: 1 sentence to describe your music. What is it?

Red Velvet Crush: Pop/rock with hints of punk, dance, electronic and hard rock mixed with what we do.
 
The Deli: Tell us about your upcoming EP Smoke & Mirrors. What can we expect?
 
RVC: Chapters of what we've been writing over the last year while putting the band together. We (Riscoe and Mendala) wrote and recorded the whole EP at yellowDOGstudios in Austin, TX with producer Dave Percefull and studio drummer Josh Center. Smoke and Mirrors is the just the first of what's to come.
 
The Deli: What does supporting local music mean to you?

RVC: Creating genuine support and networks of music loving people. Going out to shows and supporting bands that are working to get to the next level.
 
The Deli: Who are your favorite local musicians right now?

RVC: Nick Marshall and the Evalyn Awake crew, Beautiful Bodies, Rocker Lips, Jonathan Theobald, just to name a few.
 
The Deli: Who are your favorite not-so-local musicians right now?
 
RVC: Jillian: In This Moment, Deftones, Lana del Rey.
Daniel: Eskimo Callboy, Young Guns, Our Lady Peace.
 
The Deli: What is your ultimate fantasy concert bill to play on?

RVC: Jillian: Christina Aguilera.
Daniel: Our Lady Peace.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
RVC: Jillian: Christina Aguilera, Axl Rose, Steven Tyler, Katy Perry.
Daniel: Axl Rose, Raine Maida, Duff McKagan and Lisa Loeb.

The Deli: All right, give us the rundown. Where all on this big crazy web can you be found?
 
 
The Deli: What other goals does Red Velvet Crush have for this year?
 
RVC: To promote Smoke and Mirrors, finish building our stage show, tour in the fall, and step back in the studio at the end of the year. Plus, Daniel and I are doing a lot of writing for Red Velvet Crush and for other artists.

The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?

RVC: Dreams to realities.
 
Red Velvet Crush is:
Jillian Riscoe – vocals, guitar, keys
Daniel Mendala – guitar
Kelsey Cook – drums/percussion
Josh Colburn – keys, synth, guitar
Bill Wald – bass
 
 
Make sure you hit up the release of Smoke & Mirrors this Saturday, June 15, at Czar. Doors at 5:30, show at 6:00. Red Velvet Crush will be playing with I Am Nation, Fight The Quiet (Nashville), The Amends (Colorado), and Root & Stem. Presale tickets are $5 for general admission and $10 at the door. You can also order a $15 presale ticket, which comes with a limited edition autographed copy of the new EP and a vinyl sticker. Order tickets here. Facebook event page.
 
--Michelle Bacon
 
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