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Drowned in Sound: Real Estate - Atlas


January 2014
Shy Boys
"Shy Boys
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Shy Boys continue to bridge the gap between the basement and the stage with the release of their debut, self-titled LP. With efficiency and restrained flourish the boys have spun off 10 pop yarns, many of which are apt to linger long past their modest 24-minute duration. While the bulk of the earworms are front-loaded the album doesn’t flag nor does it deviate in its trajectory. The consistency of this record demonstrates that the Shy Boys know their strengths and are not ashamed to stick with them.
 
Such reliability is probably why Shy Boyscomposed of the brothers Collin and Kyle Rausch and friend Konnor Ervin, have enjoyed a recent burst in popularity. In short order they’ve managed to endear themselves to a variety of local bands and fans, the label High Dive Records, and assorted music journalism outlets. It’s no wonder they recently won The Pitch award for Best Band Everyone Can Agree OnThey’re appeal is almost egalitarian. Of course it doesn’t hurt to be backed by Solid Gold, the same talent agency that promotes the likes of Dirty Beaches, The Dodos, and The Sea And Cake.
 
Call it playing it safe, but what Shy Boys lack in boundary-pushing they make up for in general likeability. This record can easily play in the background, comfortably command the car stereo, or be the gentle panacea for your private boi slash gurl bedroom troubles; odds are the record will fit most settings without much abrasion. That’s the idea. Kudos given.
 
Much of the album’s warm roughness is owed to its simple and straightforward nature as well as the inherent qualities found by recording live to tape. For this engineering feat the nod is given to Mike Nolte of Westend Recording, a studio known for their dedicated use of the mediumSure, the reverb is cranked and the vocals can be muddied into ambiguity, but those cool, moody hooks are enough to keep the record spinning on repeat.
 
--Andrew Erdrich

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Album review: The Lucky - The Lucky (EP)

Album review: The Lucky - The Lucky (EP)

The Lucky does not waste anyone’s time getting into the nitty-gritty of its self-titled EP. A four-count of fast, punky guitars drives you straight into the opening track, whimsically titled “Lalalalike You,” a cute little diddy about—not love—simply lalalaliking someone. Lead primarily by the vocal work of Jason McKee, his female counterpart Camilla Camille, chimes in every now and then to boost the anthem into a high-speed duet.

           
“Lalalalike You” is promptly followed up with “Owl & Me.” This song slows things down a bit… but only a bit. Camille’s sensual, breathy vocals on the verses transmute into a full-blown rocker-chick sound for the chorus. “Can’t Shake You” is next. Again, Camille voices this song. It’s equally as charming as the first song. With a chorus of “la la la’s,” the song quickly anchors itself into that part of the brain where songs tend to get stuck.
 
The final track, “Mad One,” brings up the lively grungy guitars every loves (to some degree). A classy guitar solo spins the song into something that can easily be taken as a single. This song is easily a depiction of what The Lucky is all about.
 
I have yet to mention drummer Jonathan Thatch’s work on these tracks. The drum work is as simple as you’d want it to be—consistent throughout the entire four-track EP. Executed flawlessly to maintain the powerful punk sounds of the songs, the drums add a powerful element.
 
If you’re not listening for it, you won’t miss the bass riffs. The band is simply a three-piece, omitting the bass. The guitar work keeps the listener at full attention. The album sounds ultimately lo-fi, in terms of recording quality. But you wouldn’t want to listen to The Lucky any other way. The fast-paced rock ‘n roll songs are boosted with a lo-fi sound, making it seem as though The Lucky is performing right in front of you, at a bar or in your garage; a more intimate sound for the band.
 
The Lucky’s self-titled album was recorded by Paul Malinowski at Massive Sound and mastered by Duane Trower at Weights and Measures Soundlab.
 
The Lucky will release its debut EP tomorrow night, Friday, February 15, at recordBar. The Lover’s Rock show begins at 10:00 pm with The Heavy Figs, followed by The Lucky, and rounded out by Schwervon!. Tickets are available at the door or purchase here for $7.

--Steven Ervay

Steven is the intern of Midwest Music Foundation and The Deli - Kansas City. He can't go to 21+ shows yet and that bums him out.  

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