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Drowned in Sound: Real Estate - Atlas
Drowned in Sound: Baths - Obsidian


January 2014
Shy Boys
"Shy Boys
"
mp3
Shy Boys continue to bridge the gap between the basement and the stage with the release of their debut, self-titled LP. With efficiency and restrained flourish the boys have spun off 10 pop yarns, many of which are apt to linger long past their modest 24-minute duration. While the bulk of the earworms are front-loaded the album doesn’t flag nor does it deviate in its trajectory. The consistency of this record demonstrates that the Shy Boys know their strengths and are not ashamed to stick with them.
 
Such reliability is probably why Shy Boyscomposed of the brothers Collin and Kyle Rausch and friend Konnor Ervin, have enjoyed a recent burst in popularity. In short order they’ve managed to endear themselves to a variety of local bands and fans, the label High Dive Records, and assorted music journalism outlets. It’s no wonder they recently won The Pitch award for Best Band Everyone Can Agree OnThey’re appeal is almost egalitarian. Of course it doesn’t hurt to be backed by Solid Gold, the same talent agency that promotes the likes of Dirty Beaches, The Dodos, and The Sea And Cake.
 
Call it playing it safe, but what Shy Boys lack in boundary-pushing they make up for in general likeability. This record can easily play in the background, comfortably command the car stereo, or be the gentle panacea for your private boi slash gurl bedroom troubles; odds are the record will fit most settings without much abrasion. That’s the idea. Kudos given.
 
Much of the album’s warm roughness is owed to its simple and straightforward nature as well as the inherent qualities found by recording live to tape. For this engineering feat the nod is given to Mike Nolte of Westend Recording, a studio known for their dedicated use of the mediumSure, the reverb is cranked and the vocals can be muddied into ambiguity, but those cool, moody hooks are enough to keep the record spinning on repeat.
 
--Andrew Erdrich

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Show review: Sonic Spectrum Ramones Tribute, 10.28.12

Show review: Sonic Spectrum Ramones Tribute, 10.28.12

Four bands came together to pay tribute to legendary punk band, the Ramones, as a part of Sonic Spectrum’s tribute series at recordBar. For all intents and purposes, the Ramones saved rock n' roll. When they released their self-titled debut in 1976, the radio was jammed pack with long-winded keyboard solos, disco beats, and mini-operas. The Ramones went back to the original blueprint, designed by the early rock n' rollers and doo-wop groups of the ‘50s. Only the Ramones' songs were faster, louder, tougher, and weirder; punk was born. Their sound continues to influence countless bands to this day, four of which showed up that night.

If there was a secondary theme to the night, it was that covering these three-chord simplistic songs looks much easier than it actually is to pull off. Nearly each band recognized that on stage. The first band, UFT!, kicked off the show right with the shouts of "Hey! Ho! Let's go!" in "Blitzkrieg Bop,” quite possibly the most recognizable tune in the Ramones catalog. Bassist Steve Tulipana shared a funny story about meeting the artist behind the iconic Ramones logo, and his surprise on how getting prepared for the show had been. They played other Ramones classics such as "I Wanna Be Sedated" and "Rock N' Roll High School.”

Next, Rockets to Russia took the stage (members of Bleachbloodz, The Uncouth!, Hobo Zero, Appropriate Grammar, The Bad Ideas). Consisting of the largest group of the night, the five-member band tore through songs about as fast as the Ramones would perform them live. Songs like "Glad to See You Go" and "Cretin Hop" were accompanied by boundless energy that seemed to run back and forth on both sides of the stage. Two songs in, vocalist Mitch Clark convincingly told the crowd he'd have to slow down for a song or two or else he was bound to have a heart attack on stage. Still, the band continued through their set this way.

Gene Kreamerz and the Pussycats (members of The Quivers, The Latenight Callers, Drew Black & Dirty Electric, Deco Auto) played their songs closer to how the Ramones sounded on the albums. It's not at the breakneck speed of their live performances, but still animated enough for a crowd to bounce around to. Highlights included "(Do You Remember) Rock N' Roll Radio?" and a personal favorite, "Danny Says,” the true ballad of the night (surprisingly, the Ramones were great at writing those, too).

True evidence of the Ramones influence in even today's world came when Radkey finished the night off. The band consists of three brothers, all of whom were born well after the Ramones had their heyday. The spirit, energy, and rock n' roll the Ramones championed during their career came through the band. Highlights included the seasonally appropriate "Pet Cemetery" and campy "Somebody Put Something in My Drink.” The band ended their set with the anti-political song "Bonzo Goes to Bitburg", a song most fans would consider to be a favorite. The night was a great tribute to the Ramones, and in turn, a great tribute to rock n' roll.

All photos by Todd Zimmer. Please do not use without permission.

--Travis Stull  

Travis is a technical writer who loves rock n' roll. Give him a hug sometime.

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