x
Artist of the Month
the_deli_magazine
  • local channel
  • local charts
  • studios
  • submit
  • submit

 
deli cover

November 2014
The Sluts
"Loser (EP)
"
mp3

 Lawrence, Kansas (affectionately to be referred to henceforth as LFK) continues to be a source of the kinds of music that I want to hear more of and know more about. One band in particular has really caught my ear of late with a sound that’s raw, dirty, energetic, and undeniably attention-grabbing: The Sluts, a bare-bones twosome consisting of Kristoffer Dover on drums and Ryan Wise on guitar and vocals. Two musicians, no more, no less … but as the sounds you’ll hear on their new EP Loser will demonstrate, two musicians is plenty when it comes to making a substantial sonic statement.

 
Their mix of garage, punk, and grunge kicks things off with the opener, “Let Me Go,” as The Sluts tear things up with a grimy bounce firmly entrenched in 4/4 time. “Loser” starts with a tip of the cap to upbeat new wavey rhythms, but 25 seconds into the track, the boys re-establish the power presence that is their raison d’etre (how’s THAT for some damn NPR-speak, kids?). “Green” and “Linger” wrap up the four-track, barely-more-than-ten-minute EP with the sound that I’ve most commonly described as “Nirvana without Krist Novoselic,” as Wise’s sneering vocals and snarling guitar combined with Dover’s relentlessly on-point percussion give the music just a bit of Bleach-era homage while sounding very much of the present day.
 
I had the honor of introducing The Sluts during this year’s Midcoast Takeoverat SXSW; they were on the roster of the I Heart Local Music / Whatever Forever day-party that featured more examples of LFK’s finest (Black on BlackShy BoysJosh Berwanger Band, and Oils/CS Luxem). After a couple long days of music and food truck fare and drinking, the abrasive grind of The Sluts was a much-needed Brillo pad to the brain. Give Loser a listen, and keep an eye out for this band.
 
Love me some dirty, filthy, nasty The Sluts. Awwww yeahhhhhh.

--Michael Byars

Rate the Artist:


Please visit The Deli's full web charts organized by genre and region.


Go to Charts

Cancel

scene blog

Show review: Sonic Spectrum Ramones Tribute, 10.28.12

Show review: Sonic Spectrum Ramones Tribute, 10.28.12

Four bands came together to pay tribute to legendary punk band, the Ramones, as a part of Sonic Spectrum’s tribute series at recordBar. For all intents and purposes, the Ramones saved rock n' roll. When they released their self-titled debut in 1976, the radio was jammed pack with long-winded keyboard solos, disco beats, and mini-operas. The Ramones went back to the original blueprint, designed by the early rock n' rollers and doo-wop groups of the ‘50s. Only the Ramones' songs were faster, louder, tougher, and weirder; punk was born. Their sound continues to influence countless bands to this day, four of which showed up that night.

If there was a secondary theme to the night, it was that covering these three-chord simplistic songs looks much easier than it actually is to pull off. Nearly each band recognized that on stage. The first band, UFT!, kicked off the show right with the shouts of "Hey! Ho! Let's go!" in "Blitzkrieg Bop,” quite possibly the most recognizable tune in the Ramones catalog. Bassist Steve Tulipana shared a funny story about meeting the artist behind the iconic Ramones logo, and his surprise on how getting prepared for the show had been. They played other Ramones classics such as "I Wanna Be Sedated" and "Rock N' Roll High School.”

Next, Rockets to Russia took the stage (members of Bleachbloodz, The Uncouth!, Hobo Zero, Appropriate Grammar, The Bad Ideas). Consisting of the largest group of the night, the five-member band tore through songs about as fast as the Ramones would perform them live. Songs like "Glad to See You Go" and "Cretin Hop" were accompanied by boundless energy that seemed to run back and forth on both sides of the stage. Two songs in, vocalist Mitch Clark convincingly told the crowd he'd have to slow down for a song or two or else he was bound to have a heart attack on stage. Still, the band continued through their set this way.

Gene Kreamerz and the Pussycats (members of The Quivers, The Latenight Callers, Drew Black & Dirty Electric, Deco Auto) played their songs closer to how the Ramones sounded on the albums. It's not at the breakneck speed of their live performances, but still animated enough for a crowd to bounce around to. Highlights included "(Do You Remember) Rock N' Roll Radio?" and a personal favorite, "Danny Says,” the true ballad of the night (surprisingly, the Ramones were great at writing those, too).

True evidence of the Ramones influence in even today's world came when Radkey finished the night off. The band consists of three brothers, all of whom were born well after the Ramones had their heyday. The spirit, energy, and rock n' roll the Ramones championed during their career came through the band. Highlights included the seasonally appropriate "Pet Cemetery" and campy "Somebody Put Something in My Drink.” The band ended their set with the anti-political song "Bonzo Goes to Bitburg", a song most fans would consider to be a favorite. The night was a great tribute to the Ramones, and in turn, a great tribute to rock n' roll.

All photos by Todd Zimmer. Please do not use without permission.

--Travis Stull  

Travis is a technical writer who loves rock n' roll. Give him a hug sometime.

Share this story on Facebook


aom

New Poll Coming Soon!

[sponsored by]



- news for musician and music industry peeps -