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November 2014
The Sluts
"Loser (EP)
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mp3

 Lawrence, Kansas (affectionately to be referred to henceforth as LFK) continues to be a source of the kinds of music that I want to hear more of and know more about. One band in particular has really caught my ear of late with a sound that’s raw, dirty, energetic, and undeniably attention-grabbing: The Sluts, a bare-bones twosome consisting of Kristoffer Dover on drums and Ryan Wise on guitar and vocals. Two musicians, no more, no less … but as the sounds you’ll hear on their new EP Loser will demonstrate, two musicians is plenty when it comes to making a substantial sonic statement.

 
Their mix of garage, punk, and grunge kicks things off with the opener, “Let Me Go,” as The Sluts tear things up with a grimy bounce firmly entrenched in 4/4 time. “Loser” starts with a tip of the cap to upbeat new wavey rhythms, but 25 seconds into the track, the boys re-establish the power presence that is their raison d’etre (how’s THAT for some damn NPR-speak, kids?). “Green” and “Linger” wrap up the four-track, barely-more-than-ten-minute EP with the sound that I’ve most commonly described as “Nirvana without Krist Novoselic,” as Wise’s sneering vocals and snarling guitar combined with Dover’s relentlessly on-point percussion give the music just a bit of Bleach-era homage while sounding very much of the present day.
 
I had the honor of introducing The Sluts during this year’s Midcoast Takeoverat SXSW; they were on the roster of the I Heart Local Music / Whatever Forever day-party that featured more examples of LFK’s finest (Black on BlackShy BoysJosh Berwanger Band, and Oils/CS Luxem). After a couple long days of music and food truck fare and drinking, the abrasive grind of The Sluts was a much-needed Brillo pad to the brain. Give Loser a listen, and keep an eye out for this band.
 
Love me some dirty, filthy, nasty The Sluts. Awwww yeahhhhhh.

--Michael Byars

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scene blog

Album review: Gentleman Savage - Open Eyes (EP)

Album review: Gentleman Savage - Open Eyes (EP)

I always enjoy hearing new bands that fully understand their influences, but don’t crutch on them. True musicians don’t simply regurgitate what the greats of old have done—they nod their caps to their predecessors and then find a way to push the musical bar higher and higher. Gentleman Savage has figured that out. Its brand of bubbly, '60s-infused synth pop is a dynamic and powerful melting pot of old and new.
 
"Overlord": Two minutes and fifty-eight seconds of high-energy, guitar-driven pop. The song works itself up to a fever pitch in the middle through the playful interplay of a well-written, breakdown bridge. Followed by the closest thing to a "face-melting” guitar solo you can get in this style of music, the song ends by trailing off over the chorus. Definitely a solid opening track. I imagine it as straight off the soundtrack of the long overdue made-for-TV movie version of The Wonder Years.
 
"Open Eyes": This is my favorite song on the EP, as I am a sucker for the “chug” punk beat. It sounds like The Animals stumbling their way onto Oasis’s tour bus, only to quickly realize that they needn’t stay too long. Again, it features a great late song breakdown, with harmonized falsetto vocals leading the listener by his willing hand back into the final chorus. The vocals are a clear focus and strength of this band and they are used to greatest effect on this track.
 
"Death in the Springtime": The most “psychedelic” of the bunch, it’s also the hardest for me to put my finger on. The beginning immediately brings to mind the droning indie styles of Bat for Lashes or Feist. The stripped-down emotional choruses take me to nervously slow dancing in the high school gymnasium (well, at least how John Hughes would explain what dancing in a high school gym would sound like). But just when I accept my Simple Minds fate, Gentleman Savage once again picks up the intensity through a series of distorted strains. The effort bellows with a full head of dissonant steam until the falsetto harmony vocals once again emerge and offer a serene bridge of sunlight back down out of the clouds and all the way to the last satisfying chord.
 
The best part of this EP? It leaves you wanting more. It is a solid release worthy of many thorough listens. The music of Gentleman Savage comes out like Gemini Revolution, The Quivers, and Thee Water MoccaSins all wrapped up in one vintage psychedelic pop blanket (which, by the way, these four bands on a bill would be spectacular. Someone make that show happen. Do it. Do it now.).
 
Catch Gentleman Savage on November 9 at Czar with Molehill, The Future Kings, and Little Rosco (Facebook event here). And be sure to pick up a copy of Open Eyes, which is now available.

--Zach Hodson

Zach Hodson is a monster. He once stole a grilled cheese sandwich from a 4-year-old girl at her birthday party. He will only juggle if you pay him. I hear he punched Slimer right in his fat, green face. He knows the secrets to free energy, but refuses to release them until "Saved by the Bell: Fortysomethings" begins production.

He is also in Dolls on Fire and Drew Black & Dirty Electric, as well as contributing to various other Kansas City-based music, comedy, and art projects.

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