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Drowned in Sound: Real Estate - Atlas
Drowned in Sound: Baths - Obsidian


January 2014
Shy Boys
"Shy Boys
"
mp3
Shy Boys continue to bridge the gap between the basement and the stage with the release of their debut, self-titled LP. With efficiency and restrained flourish the boys have spun off 10 pop yarns, many of which are apt to linger long past their modest 24-minute duration. While the bulk of the earworms are front-loaded the album doesn’t flag nor does it deviate in its trajectory. The consistency of this record demonstrates that the Shy Boys know their strengths and are not ashamed to stick with them.
 
Such reliability is probably why Shy Boyscomposed of the brothers Collin and Kyle Rausch and friend Konnor Ervin, have enjoyed a recent burst in popularity. In short order they’ve managed to endear themselves to a variety of local bands and fans, the label High Dive Records, and assorted music journalism outlets. It’s no wonder they recently won The Pitch award for Best Band Everyone Can Agree OnThey’re appeal is almost egalitarian. Of course it doesn’t hurt to be backed by Solid Gold, the same talent agency that promotes the likes of Dirty Beaches, The Dodos, and The Sea And Cake.
 
Call it playing it safe, but what Shy Boys lack in boundary-pushing they make up for in general likeability. This record can easily play in the background, comfortably command the car stereo, or be the gentle panacea for your private boi slash gurl bedroom troubles; odds are the record will fit most settings without much abrasion. That’s the idea. Kudos given.
 
Much of the album’s warm roughness is owed to its simple and straightforward nature as well as the inherent qualities found by recording live to tape. For this engineering feat the nod is given to Mike Nolte of Westend Recording, a studio known for their dedicated use of the mediumSure, the reverb is cranked and the vocals can be muddied into ambiguity, but those cool, moody hooks are enough to keep the record spinning on repeat.
 
--Andrew Erdrich

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Album review: Deco Auto - Past Mistakes and Hauntings EP

Album review: Deco Auto - Past Mistakes and Hauntings EP

Past Mistakes and Hauntings, the debut release from pop-punk trio Deco Auto, rips out of the garage with a mission to go, and it never looks back. From the first note of the album opener, “The Mercy Kind,” you assume you’re going to be in for a fist-pumping, air guitar-playing joyride. And you’d be right in that assumption. Wound tightly like a fist, this collection of catchy, energetic songs strikes a blow to anyone who might have thought power-punk trios were ruined by the likes of Green Day.

The hook-centric guitar work of vocalist/guitarist Steven Garcia is prevalent throughout the four-song EP, as well as his ability to find vocal lines that are accessible and rooted in pop music. The guitar tone is spot on for Deco Auto’s roaring renditions and is complimented by quality sound engineering. This extends beyond the guitar to bass and drums, as well, giving the album an energy that’s hard to capture for a lot of bands.

Bassist Tracy Flowers and drummer Michelle Bacon’s presence on these tracks is undeniable, keeping the band locked in and moving forward with each thump of the bass drum. “Pointless Fight” is a perfect example of what a solid drummer can do for a band: tight stops and starts, all the while keeping the attention and focus on the song. “I Shouldn’t Know,” which lends the lyric for the EP title, has Flowers center stage while she delivers a vocal melody that you’ll be humming the rest of the day. It’s this combination of aggression and sweetness that makes Deco Auto a worthwhile listen.

My only complaint about this release is that it’s only four songs. After listening to it, I definitely wanted it to keep going. After all, my air guitar was just getting warmed up.

Deco Auto celebrates its EP release tonight, July 6, with a special party at the Midwestern Musical Co. with local power pop legends The Pedaljets. The trio is throwing a second party next Friday, July 13, with an in-store performance at Vinyl Renaissance on 39th St. alongside Kelley Deal (The Breeders) and Mike Montgomery's (Ampline) project R. Ring

--Mike Tipton

Mike is a KC native that enjoys new music and playing with his band, Molly Picture Club. He also enjoys people watching and documentaries by Ken Burns.

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