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November 2014
The Sluts
"Loser (EP)
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mp3

 Lawrence, Kansas (affectionately to be referred to henceforth as LFK) continues to be a source of the kinds of music that I want to hear more of and know more about. One band in particular has really caught my ear of late with a sound that’s raw, dirty, energetic, and undeniably attention-grabbing: The Sluts, a bare-bones twosome consisting of Kristoffer Dover on drums and Ryan Wise on guitar and vocals. Two musicians, no more, no less … but as the sounds you’ll hear on their new EP Loser will demonstrate, two musicians is plenty when it comes to making a substantial sonic statement.

 
Their mix of garage, punk, and grunge kicks things off with the opener, “Let Me Go,” as The Sluts tear things up with a grimy bounce firmly entrenched in 4/4 time. “Loser” starts with a tip of the cap to upbeat new wavey rhythms, but 25 seconds into the track, the boys re-establish the power presence that is their raison d’etre (how’s THAT for some damn NPR-speak, kids?). “Green” and “Linger” wrap up the four-track, barely-more-than-ten-minute EP with the sound that I’ve most commonly described as “Nirvana without Krist Novoselic,” as Wise’s sneering vocals and snarling guitar combined with Dover’s relentlessly on-point percussion give the music just a bit of Bleach-era homage while sounding very much of the present day.
 
I had the honor of introducing The Sluts during this year’s Midcoast Takeoverat SXSW; they were on the roster of the I Heart Local Music / Whatever Forever day-party that featured more examples of LFK’s finest (Black on BlackShy BoysJosh Berwanger Band, and Oils/CS Luxem). After a couple long days of music and food truck fare and drinking, the abrasive grind of The Sluts was a much-needed Brillo pad to the brain. Give Loser a listen, and keep an eye out for this band.
 
Love me some dirty, filthy, nasty The Sluts. Awwww yeahhhhhh.

--Michael Byars

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scene blog

Show review: Drop A Grand/The Quivers/Radkey/Soft Reeds at recordBar, 6.30.12

Show review: Drop A Grand/The Quivers/Radkey/Soft Reeds at recordBar, 6.30.12

(Pictured above: Isaiah Radke of Radkey)

recordBar was home to a diverse showcase of local musicians on Saturday night, handpicked by Sonic Spectrum host Robert Moore. Drop A Grand, The Quivers, Radkey, and Soft Reeds played to an interested and expectant crowd.

The night started out with Drop a Grand.  This was my first experience of them, and indeed an experience they are. Electronically playful costumed noise punk like AC/DC, the Sex Pistols, and Elton John getting lost in the keyboard room at Guitar Center. The songs were short, loud, and brash, often sounding like the musical version of a stoned teenager fumbling at the top button of his high school sweetheart’s skinny jeans.  The wolf playing bass (Steven Tulipana) brought the technological side, often howling into the microphone through various processed effects. Overall, fun and interesting.

Kansas City's Motown napalm darlings, The Quivers followed Drop A Grand. A little bit country, a little bit rock 'n’ roll, a little bit Carrie Fisher with a flamethrower, their groovy tunes really got Ricardo dancing. Their set was quick, no nonsense, and a hell of a lot of fun. The well-dressed band jumped from song to song, never letting the sweaty crowd get too much of a break from the groovy vintage tunes. The set really picked up steam in the second half when vocalist Terra Peal let her voice play in the sandbox a little. Her vocals carry a combination of pure power and snarl that contrasts wonderfully with the organ and guitars beneath.

Next up were the young men from St Joseph, Radkey. Sporting clean cheeks, dreadlocks, and one fantastically groomed Billy Dee Williams moustache, they brought a simplistic and raw energy to the night.  Their straightforward rock n roll borders on radio metal at times and is the perfect music to nervously bite your fingernails to. It comes across as a young man’s Van Halen/Misfits mash up, minus the chainsaw guitar solos and the really, really short bodybuilder singer obviously compensating for something. They were tight, strong, and kept the crowd (who mostly seemed to be there for them) cheering for more.

Finishing out the evening were the hipster prophets themselves, Soft Reeds. Easily the most seasoned and talkative group of the night, Soft Reeds brought the show home with their energetic blend of dance rock. Despite their best effort to emulate The Killers or Franz Ferdinand, the Soft Reeds pop more when they allow themselves wade into the Talking Heads side of the pool. That said, they showed a true mastery over the cliffhanger art of dynamically building songs up to almost the brink of bursting only to stop them suddenly. It is certainly good music to not think too hard about and just sway side to side.

--Zach Hodson

Zach is a lifetime Kansas City resident who plays multiple instruments and sings in Dolls on Fire, as well as contributing to many other Kansas City music, art, and comedy projects.  He is very fond of edamame, treats his cat Wiley better than he treats himself, and doesn't want to see pictures of your newborn child (seriously, it looks like a potato).

Photos © Todd Zimmer, 2012. Please do not use without permission.

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